ACCOUNT OF MY DAYS

sequence #
1 2 3 4 5
6 7 8 9 10
11 12 13 14 15
16 17 18 19 20

  keyword(s) in poems:

Sequence: 8

REVEALED BY SPLITTING
my face is of oak...


12/14/96
a voice saying...


MAKING SENSE ON A SNOWY MORNING
my woods fill up with snow...


POINT AT WHICH
the speaking of the heart...


MY HUNGER
I have turned my stones...


MIDNIGHT
midnight your moonlight...


12/23/96
after the singing...


untitled
walk out Eric...


EGYPTIAN
the words which took...


ING
lean sleep...


IN MEMORIAM F.B.
his house of lead...


HOW TO GET THERE
go till the snow falls...


PLAN:
throw four stones...


MY STRUGGLE WITH MY WEIGHT
Mornings around here there is so much fog in the trees...


1/2/97
strange life with...


DARING ABSENCE
the seeing blind man...


FACE THE NATION
1. the fine line in my tranquility...


FOUR BY FOUR
objects I have turned...


untitled
in the waste of sky...


GOOD AND ILL FORTUNE
go through me...


1/17/97
the snow blows the road is battered...


CRITICISM OF SHOVELLING
my stubborn back keeps working...


POET'S DILEMMA
words running up and down...


REQUIREMENT
am I empty yet...


I WROTE THIS WHILE THINKING ABOUT WRITING IT (TITLE LAST)
warm air makes the snow soften...


POEM AS IT HAPPENS
rain gets to fill the spaces used...


EYES AND EARS
eyes very involved in silence...


PROSE POEM ON THE BAKERS (NO COMMAS)
I always see the bakers when I am in a hurry walking past the door...


HELP MIDWINTER
no work snow flies like doves...


THEFT OF LINES FROM THE GNOSTICS
alone with my name...


IF JORDAN FLOODS
season of rising...


COMET AND SAINTS
now don't for-...


THE ARGUMENT
A burning house invites the comet in for a meal. The conver-...


FOOL'S DAY
it was my voice...


SIXTEEN LINES
reading a life...


OUT OF RESPECT
Albert Ayler's jukebox...


AGAIN
what the river of sound delivers...


ASHLAND
all I have buried...


4/27/97
the light rain...


untitled
you want me to stay...


I HEAR
your voice...


THE CLASSIC OF STONE
I had some...


JUST WAIT
too hot to eat the late hours...


NEO WHAT
just got through...


7/6/97
the dusk cool breeze...


KNOWN BY WHAT
deceived by everything...


STOLEN
a voice speaks...


WELCOME TRASH HAULERS
our miles of caves where...


TOO HOT
no rain to satisfy...


THEFT OF LINES FROM THE GNOSTICS AND KAUFMAN
one of rock, one of slime,...


COME ON
in your hand...


GUIDE FROM THE PERPLEXED
this is to let you know...


PRAYER THAT FELL THROUGH MY HANDS
did I understand what I said...


GOOF OFF
it was the ordinary hour...


PRACTICES
juxtaposed thoughts from separate days...


OUR DAYS
my brother in the tree...

A:

I think it's that I always had the feeling that what is really true,
really valuable is hidden in small, insignificant places.  You know,
like when you're walking someplace and you notice at the back of a
building, right where things necessary to whatever goes on in there
are carried in, a place that's been let go--tall weeds, grass gone
to seed, the steps a bit crumbled, trash or discarded objects left to
sit and make little decomposing sculptures--that sort of thing. I
don't know if I'm saying this right. Anyway, these places or things,
no one notices them, but they've got these bright little flowers
showing, or an odd combination of shapes and lines, there's something
vital there and also something that's failed and is passing, forgotten.
Kind of a bit of history that no one cares about, but it contains the
only wisdom we need, the only comfort available. Again, I think I'm
not saying this well, and maybe I've wandered far from the subject.
Anyway, it's this impulse I have to value what's small, thrown away,
forgotten, but composing its own secret, highly important space.  So
maybe I have this need to leave things short or broken and to discard
them, meaning leave them where they can be found but not where they
call attention to themselves, and my vanity makes me think that by
this means I've given them an importance, a significant insignificance
that some more public and complete construction would lack.